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A SCRIBBLED MEMORY

We all have demons following us around. In the case of this anonymous individual, his demon is a lack of emotion. Via a real local radio interview, he tells us a harrowing story from his childhood. This one-minute animation serves as a visual element to him and the story – messy, tangled and abstract.

A Scribbled Memory enjoyed a lengthy and successful tour of film festivals. This one minute animation was screened alongside longer and bigger budget films yet had as much of an effect.

A Scribbled Memory wins Best Short, Short at the new Renaissance Film Festival.

AWARDS

Manchester International Film Festival

BEST EXPERIMENTAL

Manchester International Film Festival
New Renaissance Film Festival

BEST MICRO SHORT

New Renaissance Film Festival
Mindfield Film Festival

BEST ANIMATION SHORT

Mindfield Film Festival
Liverpool International Film Festival

BEST PUBLIC AWARENESS FILM

Liverpool International Film Festival
Oxford International Film Festival

BEST EXPERIMENTAL

Oxford International Film Festival
London Independent Film Awards

BEST EXPERIMENTAL

London Independent Film Awards
A Scribbled Memory nominated for Best Experimental.

Birmingham Film Festival

A Scribbled Memory nominated for Best Experimental.
A Scribbled Memory nominated for Best Animation.

Midlands Movies

A Scribbled Memory nominated for Best Animation.
A Scribbled Memory wins Best Experimental film.

Oxford International Film Festival

A Scribbled Memory wins Best Experimental film.

FILM REVIEW

Frame Light, November 3, by 2019 Sally Roberts

More often than not, animation is unfairly bundled with children’s entertainment. A Scribbled Memory kicks back against this stereotype by using animation to discuss traumatic memory and domestic abuse. Taken from a real radio interview, Bhulla Beghal’s short uses black lines, morphing shapes and muffled voices to successfully convey the long lasting damage caused by domestic violence.

What immediately jumps out about Beghal’s film is the total lack of colour. Black, grey and white spit across the screen as they become a mother, son, father and fist. This monochromatic palette is appropriate for the subject matter, and helps portray the man’s emotional coldness that has grown out of his childhood trauma. The image of a man flowing seamlessly into a fist was particularly effective at conveying this, as it shows how the violence is an inextricable part of the anonymous interviewee.

The visuals are complemented by the distorted radio recording. As the director mentions in his statement, the fuzz of the low quality audio is intentional. Odd as this may sound, this was a good decision. The aural distortion works in tandem with the jolting style of the animation to enhance the sense of blurred and traumatic memories. Moreover, it enhances the deeply unsettling atmosphere that pervades the entirety of this short film. Indeed, it must be noted that this film neither a pleasant nor a comfortable experience, and nor should it be.

A Scribbled Memory achieves what many short films attempt to do: it says an awful lot with awfully little. Using only black and white an authentic interview and one minute of the viewer’s time, Beghal manages to convey trauma and tragedy with the depth they deserve.

‘A Scribbled Memory’ was a film in consideration for Short Focus Film Festival 2019.

FILM FESTIVALS